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19 years young and other tidbits

12.04.09 // Writing

This month’s edition of Monkeybicycle‘s “One Sentence Stories” is up and includes quick fiction from yours truly + Nanoism contributors Ethel Rohan and Brendan O’Brien, among others.

Also, some bonus Thaumatrope bits from November:  Veteran’s Day, Thanksgiving, and (oh, I don’t know, let’s call it) 2012.

So Electric Literature just serialized a Rick Moody story on Twitter over three days and 150ish tweets. Unsurprisingly, people simultaneously applauded the “experiment” while poo-poo’ing all over it.  I don’t have the energy to treat the topic with the gusto it deserves, but—in short—I both applaud the effort and enjoyed the story. I do wonder though about serialization in the 21st century:

What is the impetus to serialize a story? After all, we don’t have the tangible, real-world constraints that necessitated the serialization of many early 20th-century stories in the first place. Do readers really digest serials bit by bit as they’re fed, or do they wait until the end to feast? My gut feeling is that the easy access to instant gratification in all forms of entertainment makes serialization (at least in terms of the storytelling itself) about as antiquated as watching live TV with commercials.

The question then becomes, what are reasons to serialize that can transcend the gimmick? I posed this question on Fictionaut.

Midnight…Poetry?

11.18.09 // Writing

November is a good time to share some itty-bitty poems that have been popping up here and there.

  • I had a ‘stone’ in A Handful of Stones, a wonderful little site that asks us to “pay pay proper attention to one thing every day.”
  • My fourth prose poem (“She Wakes…“) in Outshine (read the first three here).
  • Three poems in Four and Twenty. Two (“Near Our Apartment” and “Footprint Trails”) are in the November 2009 issue, and a third (“Open Doors”) is a “Four and Twenty of the Week” for this month, which is an honor.

And that’s that. As an added bonus, I also have three pieces in Thaumatrope this month to keep an eye out for, including a very special Thanksgiving tale.

Amazon Associates

11.11.09 // Miscellany

This site participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising commissions by linking to Amazon. If you click on our Amazon.com links and buy something, I earn a (very) small commission, yet you don’t pay any extra.

Craigslist Fiction and Iranian Food

11.02.09 // Writing

I’ve been fascinated recently by what I think of as authentic stories: writing that—while fictional—uses everyday forms to tell realistic, might-as-well-be-true stories. Now, there’s nothing wrong with the traditional narrative. It’s familiar and effective. But still, there are true stories everywhere, hidden within the innocuous interactions of the 21st century for anyone who cares to pause and consider. While many people familiar with Hemingway’s (apocryphal) famous six-word story (“For Sale: Baby Shoes. Never Worn”) note its brevity, I focus on its form: the personal ad.

I’ve been calling these types of stories “Craigslist Fiction.” A story that uses an authentic form (personal ad, email, etc.) should 1) be read convincingly as an actual example of that medium (i.e. an actual Craigslist ad)  and 2) must still relate a story. Like “hint fiction,” some of the details are merely hinted at (i.e. omitted), but it’s my view that Hemingway (or the person who probably wrote these long before him) was on to something. Because how often do you read something on a site like Craigslist and think: what kind of person would write that?

My first published very short piece of Craigslist Fiction, “Iranian Food,” appears in this month’s elimae. There are more on the way, soon to be available from where fine writing is read.

Some things will appear

10.23.09 // Writing

I’ve written some new things. A subset of these will appear in Matchbook, PANK, Writers’ Bloc, Four and Twenty, A Handful of Stones, Outshine, and elimae. I now have a bunch of half-started things that I would like to finish but probably won’t. I have however ruled out urology and nephrology as future specialties.

Matchbook, PANK, and Writers’ Bloc won’t happen until 2010, which is probably a good thing as now I can already consider 2010 a creatively productive year. Matchbook in particular has a really unique take on publishing where they place stories side-by-side with critical pieces. A few sites (PANK among them) interview writers about their stories, but I can’t think of anyone who puts the nonfiction thoughts of their contributors in the forefront like Matchbook. It’s refreshing and exciting.

I also really wanted elimae, and it took me a while to land. Few places accept submissions of literally any size and fewer still consistently publish nano/hint length pieces. elimae has been in the super-short game longer than anyone.

In other news, my vision of the future appeared in Thaumatrope a few days back.

Google Apps DIY Submission System

10.15.09 // Miscellany

When it comes to getting information from people, we use email. If you need to organize a lot of it (as if, say, you ran a lit mag) and you have money or the right friends, you might get your hands on a submission system to compile and organize all that good information. Or you might be out of luck. Dale Wisely over at Right Hand Pointing mentioned this really interesting idea to me the other day: use a combination of Google Apps’ forms and spreadsheets to put it all together in one easy to use location. This idea may seem obvious to those who regularly use Google Apps or surveys to collect data, but I was shocked at how clean this functionality is.

You can see it in action at Nanoism’s December Serial Contest and year-round at the short-form poetry journal Four and Twenty (the form is here).

Some disclaimers: This idea accepts plain text only (no boldface or italics) and organizes everything into a spreadsheet. This is not the best way to read large blocks of text but it works for poetry, flash, or any kind of micro. Acceptances/rejections still require a manual email, so if you run something like elimae and you’re firing off responses in three hours flat, you’d probably waste more time copy-and-pasting email addresses than it’s worth. But say you run a quarterly mag or a one-time deal where you’re sitting on pieces for a while and it’s easy to loseWeight Exercise track of them—this is a nice way to keep ’em all in one place. Not just one folder, like with email filters, but literally one document. It’s also handy for doing your own Duotrope-style stats. Sure, you can do this all by hand in excel (or you could code your own system), but this definitely has its uses.

If nothing else, say you’re trying to collect addresses or contact info for writers to include in an anthology. You could send a big email (BCC’d, of course) and manually amass the responses. Or you could use Google Forms to collect the responses into a spreadsheet for you (which is what @nick did for Twitter Wit).

Outshine

10.08.09 // Writing

Outshine is a science-fiction “twitterzine” (there, I said it) notable for its focus on near-future optimistic SF prose poems or “flash-forwards” of 140 characters or less, this being Twitter after all. No nuclear apocalypses appear in Outshine’s twice-weekly pieces.

Outshine is awesome for many reasons (including paying $5 per poem, which is about a quarter per word, way above “pro-rates”) but most notably to me for how perfectly it handles short-form science fiction.

One of the shortcomings of the vast majority of super-short stories is that these dribbles are often not really stories or— even when they are—aren’t best suited for the nano-form. Some stories try to do too much to be effective when short.  One of the best parts about the genre of science fiction is the premise. The ensuing exploration is what makes the story, but an interesting premise is where a lot of the fun lies. By calling for prose poems instead of stories, Outshine sidesteps the nagging constraints of trying to shrink traditional storytelling elements down and instead focuses on premise and language. By promoting certain elements over others (and not trying to be everything to everyone), Outshine gets the job done more consistently.

As evidence for this claim, my third flash-forward, “No money, no problem,” appeared in Outshine yesterday. My first two pieces (“Surgeon airships…” and “Footfalls…“) were published in May and June.

This week in tiny fiction

10.02.09 // Writing

Last week I was fortunate enough to be featured in PicFic; this week I find myself with five stories in Seven by Twenty, another twitter-based ‘zine for stories and poems and brief awesomeness. This five-part set includes a healthy mix of older Midnight Stories and some fresh material:

  • On a breezy summer day…
  • Once the machines started…
  • Note to self
  • I want to be…
  • As a woman…

In other news, Folded Word nominated  my seven-tweet-sized short story “Moving On” for Best of the Net. So, thanks!

Lastly, the great and newly-public literary community Fictionaut just posted a short interview with me about Nanoism and Adam Robinson of the very cool Publishing Genius.

The Role of Ritual in Medical Training

09.27.09 // Medicine, Reading

While Final Exam, a memoir by transplant surgeon Dr. Pauline Chen, deals primarily with doctors’ troubled relationship with death and dying, I was struck most by an essay that deals directly with medical training’s preoccupation with protocol, algorithm, routine, and ritual. For Chen, rituals during her medical training were the foundation on which she built her persona and expertise as a doctor. Medicine is challenging, and ritual is the mechanism by which students—and later, physicians—break down complicated or otherwise difficult tasks in order to approach situations calmly, competently, and treat patients effectively. The harder the situation, the more essential it is to have a ritual to fall back on, as Chen describes how her routines helped steady her during an emotionally challenging pediatric transplant by allowing her to mindlessly do a procedure she had long since mastered.

My favorite ritual example in Final Exam, pre-surgical hand-washing, illustrates both its positive and negative effects. At first, the routine of scrubbing helped Chen ensure that she observed proper sterile technique; by following the ritual, she achieved technical competence and kept her patients safe. Furthermore, the mindless routine of the ritual was a form of calming meditation, a quiet break that helped separated her—emotionally and temporally—from both her clinical and surgical duties.

Years later (and after years of physical discomfort from an aggressive, skin-damaging style), Chen discovered that she was behind the times: she could achieve the same results by scrubbing for five minutes instead of ten and using a soft sponge instead of hard irritating bristles. The danger of ritual is that it leads doctors to routines that may reinforce bad habits, make it challenging to adapt to advances in patient care, or shield us from responding emotionally to our patients. Chen writes:

After nine years of clinical training, I found it hard to conceive of doing these clinical tasks any differently. In, I fact, I believed there was no other way, because these rituals were what assured the quality of my practice. They were what made me a good doctor.

This devotion to ritual is what helps training doctors learn the way of doing things correctly, even when the way is perhaps not the best way. While rituals may be a necessary first step in the learning process, the art of medicine lies not just in following the ritual effectively—but rather in when knowing to deviate. As Chen argues, a good surgeon doesn’t just know how to perform the right maneuvers; she knows how to fix the surprises that invariably pop up in the moment. It is when we fail to leave room for change in our devotion to ritual that our development as physicians stagnates, because while “they protect us from doing the wrong thing, their protective logic can shield us from fully shouldering responsibility.” (94) If we do everything correctly, the logic goes, then the negative consequences must be beyond our control.

Hand-washing is a relatively benign example because Chen was only hurting herself, but ritual pervades every aspect of medical training and practice, from memorizing the steps of the physical exam to sharing difficult news with a terminally-ill patient. The negative consequences of these rituals are only complicated by the role of the “informal curriculum” in medical training, the instruction that indoctrinates young doctors with the habits of their superiors. What happens when the rituals themselves are faulty? What happens when the carefully rehearsed patterns are themselves a source of doctor error?

In our first year training we learned physical exam techniques from both fourth year students and faculty preceptors. Both groups stressed the importance of learning the rituals of different exams, the routines on which to build our future competence, and so we robotically went through the motions, verbalizing our steps and performing the exam with techniques that only appeared analogous to the real thing. The emphasis was on “pretend” competency: the ability to look like a doctor on camera. This is not a shortcoming of any one school but rather an unfortunate result of the nation’s century-old curriculum design, one that places inordinate importance on some topics to the exclusion of others (oblivious of clinical importance). Soon, undoubtedly and embarrassingly, our class will have to relearn how to perform exam techniques in order to actually evaluate our patients. Right now, the sham ritual is all we have.

As Chen says, the clinical aphorism is “see one, do one,” which means that as doctors we train to master the mistakes of our mentors. Our early success will depend directly on how well we copy our teachers (because it is our teachers, with their idiosyncrasies, that evaluate us). And while rituals may be a useful crutch in the short term, it’s not hard to imagine the future consequences. When our patient interactions become ritualized—each sentence just another item on a mental checklist—our patients will be reduced to a given number of steps. The more times we use our algorithms, the easier it will be to categorize our patients as cases, people as diseases, and conversation as a technical skill—instead of an intrinsic part of what makes us human. This reduction is the process of dehumanization that comes with the epidemic of physician burn-out, naked cynicism, and is a chief component of patient dissatisfaction. It is a mainstay of a generation of medicine we should hope to overcome.

PicFic

09.23.09 // Writing

Folded Word is a wonderful group of people unafraid to embrace any means necessary to get literature to the masses: we’re talking a youtube-based lit mag (one of a kind, I believe) AND promoting DIY guerrilla-style flash fiction dissemination. Audio, video, online, print. Every angle covered. So it was no surprise that March saw them start PicFic, the first non-genre twitter-based lit mag.

When choosing the greek prefix for ever-smaller denominations of literature, I think pico- is just as good a choice as nano- for stories that hover around 25 words, making Nanoism and PicFic basically two of kind (distinct prefixes and the issue of titles notwithstanding). There’s also femtofiction, which of course consists entirely of punctuation.

Anyway, I’m honored to say this week is PicFic’s “White of White” which features five of my pico-stories and a fun interview. In addition to reading PicFic’s twitter feed (as everyone should do), wonderful managing editor J.S. Graustein has assembled the archives by author, so you can read all of my contributions in one easy-to-browse location.

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