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Outshine

10.08.09 // Writing

Outshine is a science-fiction “twitterzine” (there, I said it) notable for its focus on near-future optimistic SF prose poems or “flash-forwards” of 140 characters or less, this being Twitter after all. No nuclear apocalypses appear in Outshine’s twice-weekly pieces.

Outshine is awesome for many reasons (including paying $5 per poem, which is about a quarter per word, way above “pro-rates”) but most notably to me for how perfectly it handles short-form science fiction.

One of the shortcomings of the vast majority of super-short stories is that these dribbles are often not really stories or— even when they are—aren’t best suited for the nano-form. Some stories try to do too much to be effective when short.  One of the best parts about the genre of science fiction is the premise. The ensuing exploration is what makes the story, but an interesting premise is where a lot of the fun lies. By calling for prose poems instead of stories, Outshine sidesteps the nagging constraints of trying to shrink traditional storytelling elements down and instead focuses on premise and language. By promoting certain elements over others (and not trying to be everything to everyone), Outshine gets the job done more consistently.

As evidence for this claim, my third flash-forward, “No money, no problem,” appeared in Outshine yesterday. My first two pieces (“Surgeon airships…” and “Footfalls…“) were published in May and June.

This week in tiny fiction

10.02.09 // Writing

Last week I was fortunate enough to be featured in PicFic; this week I find myself with five stories in Seven by Twenty, another twitter-based ‘zine for stories and poems and brief awesomeness. This five-part set includes a healthy mix of older Midnight Stories and some fresh material:

  • On a breezy summer day…
  • Once the machines started…
  • Note to self
  • I want to be…
  • As a woman…

In other news, Folded Word nominated  my seven-tweet-sized short story “Moving On” for Best of the Net. So, thanks!

Lastly, the great and newly-public literary community Fictionaut just posted a short interview with me about Nanoism and Adam Robinson of the very cool Publishing Genius.

PicFic

09.23.09 // Writing

Folded Word is a wonderful group of people unafraid to embrace any means necessary to get literature to the masses: we’re talking a youtube-based lit mag (one of a kind, I believe) AND promoting DIY guerrilla-style flash fiction dissemination. Audio, video, online, print. Every angle covered. So it was no surprise that March saw them start PicFic, the first non-genre twitter-based lit mag.

When choosing the greek prefix for ever-smaller denominations of literature, I think pico- is just as good a choice as nano- for stories that hover around 25 words, making Nanoism and PicFic basically two of kind (distinct prefixes and the issue of titles notwithstanding). There’s also femtofiction, which of course consists entirely of punctuation.

Anyway, I’m honored to say this week is PicFic’s “White of White” which features five of my pico-stories and a fun interview. In addition to reading PicFic’s twitter feed (as everyone should do), wonderful managing editor J.S. Graustein has assembled the archives by author, so you can read all of my contributions in one easy-to-browse location.

Twitter Wit

08.25.09 // Writing

Perhaps I shouldn’t be surprised that my very first words published in print are in the form of a “tweet” I posted on Twitter on April Fool’s Day this year.

This particular savory morsel of bite-sized brilliance is in Twitter Wit: Brilliance in 140 Characters or Less, a brand new book from HarperCollins filled with several hundred very clever, witty, and pithy tweets. It is the very first Twitter-based book from a major publisher (of many to come, I’m sure). While my contribution (on page 73) only takes up roughly .15% of its content, its very inclusion proves beyond a shadow of a doubt that I must be one of the most interesting people on Twitter.

The Presentation of the Virgin

08.18.09 // Writing

My short piece “The Presentation of the Virgin” is now up at Thirty First Bird Review (scroll down a bit), a site with a focus on cultural/religious interplay. It’s an old piece, and I’ve always  had a bit of a soft spot for it—it’s based off this wonderful painting by the fifteenth-century Italian artist/monk/engineer Fra Carnevale.

As a boring, quiet tale about a man loitering around The Temple staring at the Virgin Mary, it’s not the kind of thing one tends to see published in the online literary scene, which more often feautres contemporary tales of relatively unhappy regular people (you know, people just like you and me) doing unhappy and probably damaging things to themselves either physically or mentally, usually told in first person with a forceful, energetic writing style.  But hey, it’s short—so read it anyway.

Thaumatrope, twitterpunk—literature for procrastinating during your procrastination

08.05.09 // Writing

Thaumatrope: the first (and first paying) twitterzine (@thaumatrope), a twitter-based publication for microfiction. It is an idea that may almost seem frivolous to the uninitiated—stories in 140 characters? Why bother? What can you really say in around 20 words? Literary merits aside—with Twitter as a backdrop, would anyone argue that an intriguing or witty tweet-story is less engaging than someone’s personal struggle with productivity or the details of their latest bowel movement? Just kidding, I think Twitter is pretty neat. Anyway…

Thaumatrope also remains the most innovative of the twiction-pushers, including a unique program (the Thaumatrope Fiction Relocation Project) to include its fiction on the programs of conventions worldwide (really cool) and a special theme month with multi-award-winning guest editor Sean Wallace: Twitterpunk, a series of stories in celebration of cyberpunk and its related subgenres (steampunk, biopunk, et al.).  I was honored to have my story (probably coincidentally) kick off #twtrpunk this past weekend (click the link in Sean’s intro tweet to read the actual story).

While “-punk” themed stories of this length may be an homage that only fans of the genre will appreciate, nanofiction in general has a much broader appeal, at least for those of us with a few seconds to spare in between not doing work by reading the news and not doing work by playing addictive flash games. If nothing else, perhaps someone should go edit the “cyberpunk derivatives” article on Wikipedia and add “twitterpunk” to the list.

The Woman on the Sidewalk

08.01.09 // Writing

I have an edgy, mildly graphic piece in the new issue of SUB-LIT (“publishing the best in literary dissidence”), a site that specializes in awesome pieces that should (and do) have the tagline, Sex, Literature, and Rock & Roll.

I actually wrote “The Woman on the Sidewalk” over two years ago only to let it burn an erotic hole in my hard drive until I ran across SUB-LIT, at which point I metaphorically dusted it off and sent it out. I owe a big thank you to head editor Laurah Raines for working with me on this to make it even more awesome. Go read what my workshop professor might have called “an excellent, energetic tale about the effects of our hypersexualized society.”

The Gates of Leaven

07.22.09 // Writing

Novels take time to write. What better way to catalog the essence of a story than by writing only the first and the last sentence? First and Last Sentence Magazine publishes just that: novels that don’t really exist by fictional authors offering up stories like mystery-meat sandwiches. Interesting premise. My offering, “The Gates of Leaven,” appeared today.

Too Quiet on the Carpet

07.08.09 // Writing

I’m really excited to see “Too Quiet on the Carpet” published as this week’s story at Brain Harvest: An Almanac of Bad Ass Speculative Fiction. Brain Harvest has been publishing one 750-word or shorter story each week since March, and each has been—in my reading—fully deserving of its “bad ass” designation.

As for my little story, it’s very odd but—I’m told—”really awesome” and “viciously sublime.” It’s a bit of a modern re-imagining of the basic premise from the story “Father’s Last Escape,” an amazingly weird magical realism tale by the early 20th-century Polish-Jewish writer Bruno Schulz.

Harriet

06.30.09 // Writing

I have a letter (yes, an actual letter) published in this issue of The Dirty Napkin, which is an awesome publication with intimidating contributor bios. The wonderful editors have also decided to make my audio reading one of the handful available to non-subscribers—so anyone can listen to me read it (beware).

The epistle is an interesting form. The email missive, the AIM conversation, the cacophony of “tweets”—these successors do not quite make for a true spiritual supplantation. And, though the epistle has a practical purpose (to convey a message),  its literary merit (if it exists) can be unrelated altogether. It may even be a pleasant surprise.

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